Feature Sections: |
Biography
|
Photo Gallery
|
Song Clips
|
Highlights/
Recollections
|
Contact Peter
|
|
|
Part II: The London Years – Bands,
Friends & Guitars in the 1950s… |
My first guitars – some very interesting ‘experiments’…
|
One of the first guitars that I played
was an old classical guitar that my Dad had. This thing was quite a
contraption. It had the wrong strings on it – which bent the neck – and
also had a brass nut to raise the strings so it could be played as a
Hawaiian guitar.
Eventually I bought a Hofner arch
top acoustic, and made a pickup for it that actually worked. I proceeded to
make another pickup, and ended up with a two-pickup guitar and a volume
control for each pickup.
Because it was trial and error for the
wiring set-up, it had a unique sound that was great for rock and roll. I
ended up with a small business by converting a bunch of my friends’
guitars. As the word got around I got quite busy putting pickups on acoustic
guitars.
|
My first bands…
|
One of my friends, Geoffrey Fraser, used
to sing and play guitar, so after school we would practice together. We
added a bass fiddle player – a Hungarian immigrant named Victor – and
Arthur Maple on drums. We named ourselves the “Blue Hounds”.
|
"Blue Hounds" |
We played at a few pubs around the
South London area, trying to learn the ropes. One day while I was working as an interior
designer at Hadfields Paint Company in Western Road, Mitcham, Surrey,
I met Pat Cresswell who worked at Hadfields as well. It happened that he
was a singer, and was putting together a group of musicians. (Well, we
should use the term ‘musician’ loosely here…).
|
I went to the rehearsal and was hired
on the spot. I didn’t want to leave Geoffrey in the lurch, so I convinced
Pat to let Geoffrey play rhythm guitar. We now had a Lead Guitar, a Rhythm
Guitar, a Bass Guitar, Drums and we had Pat singing. At the time we were
playing mostly Gene Vincent and Eddie Cochran material. This was around
’57.
Geoffrey left and was replaced by
Sydney Hayden on Rhythm Guitar, and Johnnie Aldrich on Drums. We were now
known as “Pat Cresswell and the Crescents”.
|
"Crescents" |
Finally Pat left and we changed our
name to the “Crescents”. By then we were very well known in the London
area, playing five nights a week. |
Playing around London |
Playing around South London at the time were future luminaries such as Jeff
Beck, Eric Clapton and Harvey Hinsley from
the group Hot Chocolate.
Harvey was a friend of mine, and he had made his own guitar and tremolo arm,
which actually worked – which was an engineering feat at that period of time; most tremolo
arms immediately de-tuned a guitar. When he eventually bought a Fender
Stratocaster, I bought the tremolo arm off of him. (Somewhere I still have
it hanging around; maybe someday I’ll donate it to the British Museum…).
Well, one day as I got up in the morning to get ready for
work, I passed out. The doctor came to the house and said I had had a
nervous breakdown. He gave me the hard choice: Choose work or music. Tough
choice for a youngster…
I didn’t think twice. I quit my job and ended up being a
musician. Very often I played with bands that needed a guitarist if theirs
couldn’t make the gig. |
Rory Blackwell,
Rory Storm, Earl Sheridan and the House Shakers,
Jerry Lee Lewis, and Gene
Vincent were some of the bands that I have worked with.
|
To my late brother, Roy: |
I must mention that my late brother, film composer and jazz pianist
Roy Budd, once played together with my friend Geoffrey at the local cinema
between the double features. Roy played piano, Geoffrey played guitar,
and Roy sang “A Whole Lot a Shakin’ Going On” and other numbers.
They called themselves the “Blue Devils”.
Roy was 10 years old at the time, but even then he played GREAT piano.
He became a phenomenal world-class player, musician, and composer –
and was well-known in world musical capitals such as Los Angeles
(Hollywood) and London.
His talents and personality are missed by many people, and I miss him
personally.
|
Back to the
London
scene: There was quite a bit of infighting with the Crescents. I wanted to
play more gigs, and the others – as they had full-time jobs – didn’t
want to commit very much time to the band thing.
I had a feeling that a major move for me
would soon be in the works – and it was!
|
|
|